| Faculty of Humanities / Department of Theatre Studies |
 |
| Prof. Isaac Benabu |
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| Department of Theatre Studies |
Selected Publications:
On the Boards and in the Press (Kassel: Edition Reichenberger, 1991)
Judeo-Romance Languages (Jerusalem: The Hebrew University & Misgav Yerushalayim, 1985)
[Joint Editor with Joseph Sermoneta]
‘Shylock the Jew: Flashes from a Performance of Shakespeare's The
Merchant of Venice’ [in Hebrew], BamahֹDrama Quarterly (Jerusalem),
117-118 (1989), 89-97
‘Leskharjas hispano-romanes en caracteres hébraiques:Nouveaux témoins, nouvelles lectures’ in Actes du XVIIIe Congrès International de Linguistique et de Phililogie. Romanes, Université de Trève (Trier), (Tübingen: Max Niemeyer, 1991)
‘"Rivers of oil inundated the Valley of Stones": Towards a Methodology for Reading the Hispano-Romance kharjas in Hebrew Characters’ in Studies in the Muwassah and the Kharja, ed. Alan Jones & Richard Hitchcock (Oxford: Ithaca Press for the Board of the
Faculty of Oriental Studies, University of Oxford, 1991), 16-28
‘Orthography in the Hispano-Romance kharjas in Hebrew Characters’ in Poesía estrófica, ed. F. Corriente & A. Saenz Badillos (Madrid: Facultad de Filología, Universidad Complutense, 1991), 32-42
‘El judeo-espanol: una lengua en peregrinación por el Mediterraneo’, Reflejos (Jerusalem), 1:1 (1992), 11-15
‘Problems Posed by Literary Translations in the Theatre: García Lorca’s plays in Hebrew’ [in Hebrew], Bamah Drama Quarterly (Jerusalem), 125 (1992), 26-38 [with Rina Litvin]
‘Playing Calderón: Tracing a Play's Receptive Frame’, Bulletin of the Comediantes (University of California Press), 45:1 (1993), 29-40
‘”Sufrir y callar”: motivo de resolución a una acción trágica en el teatro español del siglo 17’ in Stage and Spectacle in Seventeenth-Century Spain, ed. B. Mujica (Washington: University Presses of America, 1993), 26-39
Introduction and conclusion to group article entitled: ‘Towards a Typology of the Judeo-Spanish Folksong: "Gerineldo" and the romance Model’ in Jewish OralֹTraditions: An Interdisciplinary Approach, ed. Israel Adler et al. (Jerusalem: Magnes, 1994) 68-72 & 108-10 [with F. Alvarez Pereyre]
‘Towards a Typology of the Judeo-Spanish Folksong: Gerineldo and the romance model. The Literary Parameter’ in Jewish Oral Traditions: Anֹ Interdisciplinary Approach, ed. Israel Adler et al. (Jerusalem: Magnes, 1994), 68-163
[with T. Alexander, Y. Ghelman, O. (Rodrigue) Schwarzwald & S. Weich-Shahak]
Author’s contribution = Section A - The Text, 73-81
‘How Did the Original Don Juan - The Trickster of Seville - Seduce his Audience?’ [in Hebrew] Bamahֹ Drama Quarterly (Jerusalem), 136 (1994), 41-47
In the End is the Beginning: Reading a Seventeenth-Century Playtext for the Stage (VSS 943), 5th programme in series entitled Understanding the Comedia (Lafayette: Purdue University, 1994)
[30 min.video programme written and presented by I. Benabu, directed by Prof. Charles Ganelan]
‘On Directing the Comedia’ in The Siglo de Oro Drama Festival: 25th Anniversary Volume (El Paso, Texas: Chamizal National Memorial, 2000), pp.40-41 (double columns)
‘Directing the comedia: Notes on a Process' in Comedia in English, eds. Don Larson & Susan Paun de García (London: Tamesis Books, 2008),
153-63
Review of PETER E. THOMPSON. The Triumphant Juan Rana: A Gay
Actor of the Spanish Golden Age in Revista de estudios canadienses,
(2008),31:3 p. 551
‘Life after Death? Surviving Traces of Haketía’, El Presente: Estudios sobre
la cultura sefaradí eds. Tamar Alexander and Yaacov Bentolila, vol.2 (n.p.:
Ben Gurion Univ., 2008), 243-52
‘Entre el teatro y la academia: decodificar la escritura teatral’,
Comedia Performance (Washington, DC), 6:1 (Spring, 2009), 38-52
‘La biblia en los corrales de comedia: Tirso y Calderón ‘ in La Biblia en la
literatura del Siglo de Oro, ed. Ruth Fine & Ignacio Arellano, (Jerusalem,
2007), 51-61
‘Problemática de la lectura teatral del personaje: el caso de Bernarda Alba’,
Theatralia. Revista de Poética del Teatro (Vigo: Academia del Hispanismo, ),
vol. 11 (2009), 127-41
'לביים את הקומדיה הספרדית של תור הזהב',
במות ומסך2 , ירושלים,תשס"ט [2009],עמ'52-62
"קריאה תאטרונית של דמויות: המקרה של בת ברנרדה אלבה"
במות ומסך, 4, תש"ע [2009], עמ'54-68
‘Particularizar la escritura teatral: la comedia aúrea como “palimpsesto”’ in
Textos sin fronteras Literatura y Sociedad, ed.Álvaro Baraibar,
Tapsir Ba, Ruth Fine y Carlos Mata (eds.), Literatura y Sociedad (Pamplona:
Eunsa, 2009), 83-91
‘Western Judeo-Spanish (hakitía): Tracing Speech through Narrative’ in
European Judaism, 44: 1, Spring 2011: 36–50