Visual Constructs of Jerusalem, ed. with G. Noga-Banai and H. Vorholt (Turnhout: Brepols Publishers, forthcoming 2013).

The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art (Regensburg: Schnell & Steiner, 2003).

The Real and Ideal Jerusalem in Jewish, Christian, and Islamic Art. Special double issue of the annual Jewish Art 23/24, 1997/1998 (Editor and author of the introduction: 'The Use and Abuse of Jerusalem').

Crusader Art of the Twelfth Century: A Geographical, an Historical, or an Art‐Historical Notion? (Berlin: Gebr. Mann Verlag, 1994).

From the Earthly to the Heavenly Jerusalem; Representations of the Holy City in Christian Art of the First Millennium (Rome‐Freiburg/Br.‐Vienna: Herder Verlag, 1987) (Römische Quartalschrift für christliche Altertumskunde und Kirchengeschichte, 42. Supplementheft).

‘Virtual Pilgrimages to Real Places: the Holy Landscapes’, in: Imagining Jerusalem in the Medieval West, ed. L. Donkin and H. Vorholt (Published for the British Academy by Oxford University Press, scheduled for April 2012) [Proceedings of the British Academy 175]

‘Jerusalem between Narrative and Iconic‘, in: Jerusalem as Narrative Space, eds. G. Wolf and A. Hoffmann (Leiden: E.J. Brill, scheduled for 2012).

'The Holy Land Elsewhere', in: Yitzhak Hen and Iris Shagrir, eds., Ut Videat et Contingat: Essays on Pilgrimage and Sacred Space in Honour of Ora Limor, (Raanana: Open University Press, 2011), 266-249 (in Hebrew).

‘Productive Destruction: the Holy Sepulchre after 1009’ in: Konfliktbewältigung vor 1000 Jahren: Die Zerstörung der Grabeskirche in Jerusalem im Jahre 1009, ed. R. J. Lilie(Berlin: Brandenburgische Akademie der Wissenschaften, 2010), pp. 33‐56.

'Abrahams Opfer als Chiffre des Tempels. Ein kunstgeschichtlicher Beitrag zur jüdisch‐christlichen Polemik', in: Opfere deinen Sohn! Das ,Isaak‐Opfer' in Judentum, Christentum und Islam, eds. Bernhard Greiner, Bernd Janowski and Hermann Lichtenberger(Tübingen: Francke Verlag, 2007), pp. 73‐92.

'Josephus Flavius und die Kunst', in: Josephus und das Neue Testament; wechselseitige Wahrnehmungen, eds. Christfried Böttrich and Jens Herzer (Tübingen: Mohr‐ Siebeck, 2007), pp. 469‐494 (II. Internationales Symposium zum Corpus Judaeo‐Hellenisticum).

'Memory and Architecture: Visual Constructions of the Jewish Holy Land', in: On Memory, an Interdisciplinary Approach, ed. Doron Mendels(Frankfurt: Peter Lang, 2007), pp. 177‐193.

'The Holy Land as a Factor in Christian Art', in: Christians and Christianity in the Holy Land, From the Origins to the Latin Kingdoms, eds. Ora Limor and Guy.G. Stroumsa(Turnhout: Brepols Publishers, 2006), pp. 463‐504 (Cultural Encounters in Late Antiquity and the Middle Ages, 5).

‘Carolingian Diagrams, Images of the Invisible’, in: Seeing the Invisible in Late Antiquity and Early Middle Ages, eds. Giselle de Nie, Karl F. Morrison, Marco Mostert(Turnhout: Brepols Publishers, 2005), pp. 359‐389 (Utrecht Studies in Medieval Literacy).

‘The Perception of History in Thirteenth‐Century Crusader Art’, in: France and the Holy Land: Frankish Culture at the End of the Crusades, eds. Daniel H. Weiss and Lisa Mahoney(Baltimore & London: The Johns Hopkins University Press, 2004), pp. 161-186 (Parallax, Re‐visions of Culture and Society).

‘Irdisches und Himmlisches Jerusalem in den jüdischen, christlichen und islamischen Darstellungen der Heiligen Stadt’, in: Ex Oriente: Isaak und der Weisse Elefant, Bagdad‐Jerusalem‐Aachen; eine Reise durch drei Kulturen um 800 und heute, eds. W. Dressen, G. Minkenberg and A.C. Oellers, Catalogue of an Exhibition in Aix‐la‐Chapelle, June‐September 2003 (Aix‐la Chapelle, 2003), pp. 42‐48.

‘”Loca sancta and the Representational Arts”: A Reconsideration’, in: L’idea di Gerusalemme nella spiritualità cristiana del medioevo, ed., Walter Brandmüller (Città del Vaticano: 2003), pp. 77-87 (Pontificio Comitato di Scienze Storiche, Atti e Documenti, 12).

 ‘The Synagogue Floor Mosaic in Sepphoris: Between Paganism and Christianity’, in: From Dura to Sepphoris: Studies in Jewish Art and Society in Late Antiquity, eds. Lee I. Levine and Zeev Weiss, (Portsmouth, RI: 2000), pp. 31-43 (Journal of Roman Archaeology Supplementary Series, 40).

‘Jewish Art and Iconoclasm: The Case of Sepphoris’, in: Representation in Religion: Studies in Honor of Moshe Barasch, eds. Alfred I. Baumgarten and Ian Assmann (Leiden: E.J. Brill, 2000), pp. 161‐180.

‘Jewish and Christian Art in the Middle Ages. The Dynamics of a Relationship’, in: Juden und Christen zur Zeit der Kreuzzüge, ed. Alfred Haverkamp(Sigmaringen: Jan Thorbecke, 1999), pp. 1-16 (Vorträge und Forschungen, XLVII).

‘Jerusalem in Christian Art from the Fourth to the Seventh Centuries’, in: The History of Jerusalem: The Roman and Byzantine Periods (70‐638 CE), eds. Y. Tsafrir and S. Safrai (Jerusalem: Yad Ben‐Zwi, 1999), pp. 441‐475 (Hebrew).

‘The Real and Ideal Jerusalem in Jewish, Christian and Islamic Art’, Kunstchronik, 11 (1997), pp. 602‐610.

 ‘The Menorah and the Cross: The Seven‐Branched Candelabrum in the Church,’ in: In the Light of the Menorah; Story of a Symbol, ed. Y. Israeli (Jerusalem: Israel Museum, 1998), pp. 117‐121.

‘L’arte crociata tra Oriente e Occidente,’ in: Catalogue of the exhibition Le Crociate. L’Oriente e l’Occidente da Urbano II a San Luigi (1096‐1270), (Milano: Electa, 1997), pp. 341‐354 (also in English and French).

‘In capite velatus, in fine manifestus: The Tabernacle of Valenciennes’, in: Jerozolima w kulturze europejskiej (Jerusalem in European Culture), ed. P. Paskiewicz and T. Zadrozny (Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 1997), pp. 91‐98.

‘Geography and Geometry of Jerusalem,’ in: City of the Great King: Jerusalem from David to the Present, ed. N. Rosovsky,  (Cambridge, Mass.: Harvard University Press, 1996), pp. 288‐332.

‘Crusader Art Quoted’, in: Autour de la Première Croisade; Actes du Colloque de la Society for the Study of the Crusades and the Latin East (Clermont‐Ferrand, 22‐25 June 1995), réunis par Michel Balard (Paris: Publications de la Sorbonne, 1996), pp. 617-624 (Série Byzantina Sorbonensia, 14).

 ‘The Kingly Statement of the Bookcovers of Queen Melisende’s Psalter’, in: Tesserae, Festschrift für Josef Engemann, (Münster: Aschendorffsche Verlagsbuchhandlung, 1991), pp. 340-357 (Jahrbuch für Antike und Christentum, Ergänzungsband 18).

 ‘Der Rankenfries am Portal der Grabeskirche zu Jerusalem und die romanische Skulptur in den Abruzzen’, Arte Medievale, 2 (1987), pp. 87‐126.