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Historia Sancti Gatiani, Episcopi Turonensis. Wissenschaftliche Abhandlungen/ Musicological Studies LXV/23. Lions Bay, Canada: The Institute of Mediæval Music, 2014.

Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint. Cambridge: Cambridge University Press, 2014 (forthcoming).

“La signification des neumas dans la liturgie médiévale.” Etudes grégoriennes XXXVIII (2011), 85-101.

Co-editor, together with Joan Goodnick Westenholz and Edwin Seroussi, Music in Antiquity: The Near East and the Mediterranean. Berlin and Jerusalem: De Gruyter and Magnes Press, 2014 (forthcoming).

"Ancient Music in the Modern Classroom." In Music in Antiquity: The Near East and the Mediterranean. Berlin and Jerusalem: De Gruyter and Magnes Press, 2014. Edited by Joan Goodnick-Westenholz, Yossi Maurey and Edwin Seroussi, 365-375 (forthcoming).

"Music of the Middle Ages and the Renaissance – A Historical Survey." Music History: From the Middle Ages to the Twentieth Century. Tel Aviv: Kotar, 2012 (in Hebrew).

“Dana International and the Politics of Nostalgia.” Popular Music 28/1 (2009), 85-103.

"Ancient Music in the Modern Classroom." Tav+ 11 (2008), in Hebrew.

“Performing Our Practices: Between Music and Musicology.” In Elina Gertsman, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts (Ashgate, 2008), 371-395.

“Heresy, Devotion and Memory: The Meaning of Corpus Christi in Saint-Martin of Tours.” Acta Musicologica 79 (2006): 159-196.

“A Courtly lover and an Earthly Knight Turned Soldiers of Christ in Machaut’s Motet 5.” Early Music History 24 (2005): 169-211.